British Treasure, American Gold
Shot across the UK and US, the nature of the show required the use of handheld and POV cameras for the UK footage. Colourist Kenny Gibb married these together seamlessly with the use of the Baselight to create a very natural balanced feel between the various cameras. As a contrast the US scenes were completed with a warmer homely feel. Julian Nelson completed the online in Avid Symphony with the Baselight plugins AAF workflow.
To complete Nag Kirinde used Pro tools 12 and Izotope RX4 to clean up any difficult audio.