Lactofree ‘Take Back Your Tea’
The brief was to produce clean striking images, enhancing the up-close footage to give a sharp, focused look. Shot on a black background it was graded by Kenny Gibb to leave only the falling crockery…
The brief was to produce clean striking images, enhancing the up-close footage to give a sharp, focused look. Shot on a black background it was graded by Kenny Gibb to leave only the falling crockery…
For the past two years Goalhanger Films have followed Joshua with unique access behind the scenes as he worked towards one of the biggest events in the history of boxing. The result is an intimate…
The brief was to emphasize the contrast between well known Thailand and Malaysia against Myanmar, which after decades of isolation required an aged look. Colourist Kenny Gibb completed the grade in Baselight taking advantage of…
Sting Media approached us for the postproduction of this year’s Aviva Premiership Rugby Final. After having frequently collaborated on broadcast projects, this was our first short-form voyage together and, of course, it was a success.…
For Operation Magic we combined our Baselight and Symphony suites for a renderless workflow. In Online we used the flexibility of After Effects and the power of Baselight Editions to create animated titles and dynamic…
Catching a Killer is a gripping series which allows the viewer exclusive access to police murder investigations and their search for missing people. In this episode, we follow detectives as they investigate the moments leading…
We teamed up with Fergus Hynd to create ‘Reaction’, a striking three spot campaign for Ancestry, the global leader in family history and consumer genomics, to promote the company’s DNA product, AncestryDNA. Demonstrating how AncestryDNA…
Shot in natural light, the challenge presented to Colourist Kenny Gibb was creating uniformity regardless of conditions the material was captured in. The exception being the control room scenes which were given a softer feel…
The offline edit was completed on Media Composer in one of our boutique edit suites. The locked pictures were then picked up in Baselight and conformed back to the RAW RED 6K in preparation for…
Julian Nelson completed the grade using Avid Symphony via the Baselight Editions plug in. The series was shot in S-Log as the Series Producer was keen to push the colour and contrast as much as…
Lee Cooper, 'Jack Garratt Promo', Kameleon, 1 x 4'00', Grade & Online We worked with creative agency Kameleon to deliver a beautiful grade for this four minute promo, shot by director Tom Clarkson in central…
Exploring the remains of the ancient city of Pompeii shot in S-Log on a Sony F55, onsite in Pompeii combined with green screen studio footage for CGI to bring to life stories and characters from…
Lexus, 'Lexus LC500', 1 x 90", Grade & Online Colourist Kenny Gibb was tasked with providing a Baselight Grade to the new 90” promotional film for the headturning Lexus LC 500. In a series of…
'Paul O'Grady: The Sally Army & Me', Potato, 6 x 30', ITV1, Full Post In honour of the Salvation Army’s 150th Anniversary and Paul O’Grady’s lifelong passion for the organisation, Potato and Olga TV filmed…
For the new Skoda Octavia ‘Loved, Not Owned’ campaign we worked closely with advertising agency Fallon to add vibrancy to the 2' digital promo. Fallon used ethnography to tell the story of everyday objects that…
This eavesdropping series set in a purpose-built tea room saw our first fixed rig show. Collaborating with the production company allowed us to manage the Rig RX and post-production workflow end to end. Multiple cameras recording…
Shot across the UK and US, the nature of the show required the use of handheld and POV cameras for the UK footage. Colourist Kenny Gibb married these together seamlessly with the use of the…
Lotteries.com, ‘Going Global’, Kameleon, 1 x 30”, Grade & Online We collaborated with production company Kameleon to grade, online, master and deliver a new 30” commercial for Lotteries.com “Going Global” campaign. With an edit delivered…
Fitbit, 'Blaze', Freedman International, adaptations for global campaign delivered to 20 territories in 14 languages When we were asked to localise the Fitbit Blaze UK TVC into multiple languages for broadcast in multiple territories with…
For the Horrid Henry Season 4 online we worked closely with the Director assembling the black and white animatics and adding in transitions, resizes and zooms to finish off each episode. Each scene was then…
We collaborated with Deadpan Films to grade and online the Six Nations opening titles to launch ITV Sport’s Six Nations coverage 2016. The concept ‘Blood and Mud’ conceived and created by Deadpan Films, aims to…
Six Nations, 60 x Break Bumpers, Deadpan Films, ITV Sport, Grade & Online Alongside the grade and online for the Six Nations opening title sequence to mark the return of the Six Nations to ITV…
A21.org, 'Can You See Me? - Taxi', True Q, 1 x 30", Grade & Online We worked with production company True Q to grade and online two films for the A21.org ‘Can You See Me?’…
A21.org, 'Can You See Me? - Nail Salon', True Q, Grade & Online We worked with ptoduction company True Q to grade and online two films for the A21.org ‘Can You See Me?’ campaign. ‘Taxi’…
This documentary follows Bisping's journey to the top of the sport and so consisted of a mixture of both new and archive footage. The brief was to grade the show contrasting the raw saturated fight…
After setting the style and look of the film in Baselight, colourist Robin Doelly called into play several of the Baselight's keyers and unique software solutions to assist with challenges on some of the interviewees…
Predominantly made up of interview footage shot by multiple crews in multiple formats in locations all around the world, the first hurdle was dealing with the many different formats that were delivered to us. Scenes…
We see the action unfold from the POV of a reverse-parking camera in this unique film created by Found Studio for Havas Helia UK to support the launch of the Peugeot 208’s reverse parking camera.…
In this series of hour long films world-renowned forensic pathologist Dr Richard Shepherd re-examines the indisputable medical facts revealed by the autopsies of some of the most famous cases that have suffered this fate. From…
In this series of hour long films world-renowned forensic pathologist Dr Richard Shepherd re-examines the indisputable medical facts revealed by the autopsies of some of the most famous cases that have suffered this fate. From…
The radio and television presenter looks at how social media has changed friendship in the 21st century. Sara signs on to Facebook for the very first time, but does so with reservations, believing that friendships…
For the launch of the new THIN range, Green & Black's has partnered with Channel4 to produce a mini-series starring five of the country’s most exciting, eloquent and enthusiastic food lovers - Michel Roux Jr,…
Shot in Log colour space using a variety of cameras and set-ups all over the UK, executive producer Tony Pastor and director Tim Mackenzie- Smith required a warm and rich grade. Colourist Kenny Gibb used…
This mouth-watering series follows John Torode on a culinary adventure on location in Malaysia before returning to the UK to create an array of delicious recipes for viewers to try themselves. For the material shot…
World's Busiest Train Stations - delve into four incredible train stations around the world, Calcutta, Zurich, Melbourne & New York, narrated by Chris Tarrant.